South African maskandi artist Skhanga steps forward with Zikhonkotha Ehambayo, an eight-track album that celebrates cultural identity, personal growth and the determination to keep moving despite criticism. Rooted in traditional maskandi storytelling, the project explores themes of love, pride, legacy, relationships and community while embracing a contemporary musical direction.
The album takes its title from the isiZulu expression Zikhonkotha Ehambayo, meaning “they bark at a moving one.” The saying draws a parallel between those who make progress and the criticism that often follows them. For Skhanga, it represents a reminder not to let outside opinions become a distraction from personal ambitions and the journey towards success.
That philosophy runs throughout the project, with the artist using music to reflect on his roots, celebrate his identity and acknowledge the resilience required to keep pushing forward. Rather than allowing criticism to dictate his direction, Skhanga turns the message into an affirmation of self-belief and perseverance.
Across its eight tracks, Zikhonkotha Ehambayo features an impressive lineup of collaborators, including Shenge Wasehlalankosi, MaGumede, Nzuzo wezihlabani, KaMaphanga, Yolokazi, Nkosazane Minnie, Londeka Shangase and Thembani. Their contributions bring different voices and perspectives to the album, adding further depth to its exploration of relationships, cultural identity and shared experiences.
Leading the project’s narrative is “Sine Pride,” featuring Shenge Wasehlalankosi and MaGumede. Translating to “We Have Pride,” the track stands as an uplifting celebration of identity, achievement and self-confidence. Its message encourages listeners to acknowledge their progress, appreciate their journey and embrace the people they have become.
With Shenge Wasehlalankosi and MaGumede complementing the record’s central message, “Sine Pride” reinforces the importance of collective confidence and cultural pride, making it a fitting introduction to the album’s wider themes.
Ultimately, Zikhonkotha Ehambayo finds Skhanga balancing respect for maskandi’s storytelling traditions with a forward-looking creative outlook. It is a project about knowing where you come from, recognising how far you have travelled and refusing to let criticism stand in the way of what lies ahead.
